A monday morning thought, taken from streaming art practice last night -
It’s easy to say “That’s good enough”. It’s harder but more satisfying to say “That’s not good enough and I’m going to practice until it is.”Actual context - I'm teaching myself to paint. Well, backtrack - I'm teaching myself Paintstorm Studio, which is an art program made BY an artist to include all the features he wanted/needed for digital painting and illustration. Not photo manipulation, but painting. It's cheap, light weight, memory friendly, and not the bloated glut that Photoshop is. It is, however, very much it's own beast, so starting there, I'm teaching myself the ins and outs of a new piece of software that does some amazing things but then doesn't do other things at all (there is no good burn/dodge or saturation tools that I can find, for instance.)
Additionally, I'm teaching myself to paint. Like, minimal or no inked lines left by the end of it, that kind of painting, not my usual "colored line art" that I normally do. Or used to do, because I haven't done any of it in years, so yeah, all new. And right now I stream the practice I'm doing on Picarto in the evenings, because my dragon likes to watch me do art but it would be very crowded to have us both hovering around my shoved-in-a-corner desk.
So last night I took a very rough "speed paint" (sloppy mix of sketch lines and color, done on a moving commuter train with all applicable bouncing around, but which came out with very decent mood colors) and started trying to finalize it. I inked over the sketch to nail down some actual lines, but kept in mind that I have every intention of painting over the lines as much as possible. Then I started painting.
Started on the background, ended up erasing and re-doing the sky outside the window multiple times. My dragon said it looked like an early morning sky from the sketch, and I grumbled that it was supposed to be late afternoon, we batted some reference photos back and forth trying to jointly come up with what "late afternoon" sun looked like, and I erased and re-drew, modified saturation with an overlay layer, erased and redrew some more, moved the clouds to a separate layer so I could erase and redraw THEM in assorted colors and shapes, etc, etc. Ended up not getting to the main figures because I fussed around with the background so long.
When I'm coloring a line drawing? I *LOATHE* repainting a piece. I absolutely loathe having to erase and redo, because dammit, I already did it. And really, when doing colored line art, I don't need to re-do that much - color adjustments can be done with select-modify, everything is on its own layer, easy.
Paintstorm? Doesn't have a color modifier like Photoshop does, at least not that I know of. So the only option is repaint. Erase and repaint. Erase again and repaint. The tops of the buildings that can be seen from the window? Yeah, I put those on their own layer after having to erase them multiple times, and thank goodness, because I need to do it again, the colors are too dark and the perspective is totally whack.
Erase, repaint. Erase, repaint. Erase until you're not afraid of erasing what you just spent the last 10-30 minutes doing. Repaint until the painting gets easier, until it gets better, until it WORKS.
It would have been really easy to say "eh, it's a sky, you can tell what it is, it's just supposed to be a quick throw away piece, a speed paint, GOOD ENOUGH". But now I have colors that actually work, clouds that look like clouds, and I will damned well have rooftops that look like rooftops before I move onto the main figure. And that's actually a lot better then "eh, good enough" and then having something that's okay but I can see all the flaws in it and end up hating it afterwards. So yay!
Crossposted from
Dreamwidth. ::

bunnies -
Feed a bunny